For the diptych I was asked to paint of the Friesian mare Esmee, the first painting became a portrait of the black lady, the second one a seasight where she shows her power of life in all freedom. It was a feast to present her this way.
For the diptych I was asked to paint of the Friesian mare Esmee, the first painting became a portrait of the black lady, the second one a seasight where she shows her power of life in all freedom. It was a feast to present her this way.